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Note: This topic assumes you have a non-variable font, thus a font without axes, and you don't want to turn the font into a variable font.

If you want to make a bold font out of a regular font, you also need to adjust all your glyph outlines. This can be easily accomplished through the transform features, using the Medium to Bold script. There are several other scripts that can make a font thin, italic, etc.

 

If the font already contains bold outlines, but is recognized as a regular font, then you need to change a few settings on the Font Properties panel:

Instances Tab:

Style Name: Regular -> Bold

Weight Class: 400 - Normal (Regular) -> 700 - Bold

PANOSE: Optionally change Weight from 5 (Book) to 8 (Bold)

How to make fonts work like a family?

Windows comes with several typefaces (font families) that are made up with more than 4 fonts, so such family comes with more than just Regular, Italic, Bold, and Bold Italic. To name a few; Calibri contains 6 fonts, Segoe UI comes with 12 fonts and Sitka is king with 24 fonts. The trick to make this work is fairly straightforward; however you need to be consistent. All fonts within the family must have the same Typographic Family Name. However the four common fonts (Regular, Italic, Bold, and Bold Italic) leave the Typographic Family Name and Typographic Subfamily Name empty, and instead will use the Style Map Family Name and Style Map Style Name fields. The other fonts will be grouped together based on their Width and Weight, and will get their own Family Name based on that.

Older software typically supports the combination of Style Map Family Name and Style Map Style Name, while modern software uses Typographic Family Name and Typographic Subfamily Name. If the Typographic Family Name and Typographic Subfamily Name fields are empty, the values from Style Map Family Name and Style Map Style Name are used.

For example a typeface named “GreatFace” with 10 fonts:

Id

Font

Font Family

Font Subfamily

Typographic Family

Typographic Subfamily

Width

Weight

1

GreatFace Narrow

GreatFace Narrow

Regular

GreatFace

Narrow

Condensed

400 - Normal

2

GreatFace Narrow Italic

GreatFace Narrow

Italic

GreatFace

Narrow Italic

Condensed

400 - Normal

3

GreatFace Light

GreatFace Light

Regular

GreatFace

Light

Medium

300 - Light

4

GreatFace Light Italic

GreatFace Light

Italic

GreatFace

Light Italic

Medium

300 - Light

5

GreatFace Regular

GreatFace

Regular

 

 

Medium

400 - Normal

6

GreatFace Italic

GreatFace

Italic

 

 

Medium

400 - Normal

7

GreatFace Bold

GreatFace

Bold

 

 

Medium

700 - Bold

8

GreatFace Bold Italic

GreatFace

Bold Italic

 

 

Medium

700 - Bold

9

GreatFace Black

GreatFace Black

Regular

GreatFace

Black

Medium

900 - Black

10

GreatFace Black Italic

GreatFace Black

Italic

GreatFace

Black Italic

Medium

900 - Black

 

Font

Bold

Italic

Italic Angle

PANOSE Weight

PANOSE Proportion

GreatFace Narrow

 

 

 

5 or 6 (Book or Medium)

6 - Condensed

GreatFace Narrow Italic

 

YES

12

5 or 6 (Book or Medium)

6 - Condensed

GreatFace Light

 

 

 

3 - Light

2, 3, or 4

GreatFace Light Italic

 

YES

12

3 - Light

2, 3, or 4

GreatFace Regular

 

 

 

5 or 6 (Book or Medium)

2, 3, or 4

GreatFace Italic

 

YES

12

5 or 6 (Book or Medium)

2, 3, or 4

GreatFace Bold

YES

 

 

8 - Bold

2, 3, or 4

GreatFace Bold Italic

YES

YES

12

8 - Bold

2, 3, or 4

GreatFace Black

Y/N

 

 

10 - Black

2, 3, or 4

GreatFace Black Italic

Y/N

YES

12

10 - Black

2, 3, or 4

All these settings and flags can be modified through the settings on the Font Properties panel.

Masters Tab:

Italic Angle (0 for Upright, negative for Italic)

 

Instances Tab:

Style Name

Weight Class

Width Class

Typographic Family Name *

Typographic Subfamily Name *

Style Map Family Name *

Style Map Style Name *

PANOSE (optionally Weight and Proportion)

 

*) FontCreator can generate the additional naming fields, so you don't have to worry about them.

 

  

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